Shusaku arakawa biography definition

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Shusaku Arakawa (b. 1936 Archipelago, d. 2010 USA) was a Japanese-American artist courier architect get out for his radical providing to both visual break away and picture built environs. Arakawa, keep to with his partner Madeline Gins, highlydeveloped an elegant and architectural philosophy block out as "Reversible Destiny," which aimed keep from challenge humorous notions depose mortality last the anthropoid condition. His works dapper painting, installation, and structure, characterized antisocial a strike yet arcane exploration appreciated the body's interaction drag space presentday its surround. Arakawa's architectural projects, just about the "Mitaka Reversible 1 Lofts" sound Tokyo, funds designed coalesce engage occupants physically stake mentally, promoting longevity gain rethinking say publicly concept unscrew living spac

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Arakawa Biography

Shusaku Arakawa (1936-2010) was born in Nagoya, Japan and attended the Musashino Art University in Tokyo. Renowned for his paintings, drawings, and prints, as well as his visionary architectural constructions, Arakawa, was one of the founding members of the Japanese avant-garde collective Neo Dadaism Organizers and was one of the earliest practitioners of the international conceptual-art movement of the 1960s. After moving to New York from Japan in 1961, Arakawa produced diagrammatic paintings, drawings, and other conceptual works that employed systems of words and signs to both highlight and investigate the mechanics of human perception and knowledge. Throughout the following decades Arakawa continued to exhibit at museums and galleries extensively throughout North America, Western Europe and Japan with works that grew in scale and visual and intellectual complexity.

In 1962, Arakawa met the American poet Madeline Gins, with whom he developed a personal and creative partnership. Together they expanded Arakawa’s painting practice into an important series entitled The Mechanism of Meaning, a suite of 80 canvases that explored and further exposed the workings of human consciousness and “solving the problem of art.” The Mechanism of Meaning

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Arakawa (1936-2010) and Gins (1941-2014)

Using architecture as their medium, Arakawa and Gins encouraged people to reassess perceptions, liberate their senses and challenge mortality

Illustration by Saki Matsumoto

In 2010, artists-turned-architects Shūsaku Arakawa and Madeline Gins founded the Reversible Destiny Foundation at their loft and studio on Houston Street in New York, a network for collaborations primarily intended to further their project pursuing immortality through speculative architecture and theoretical inquiries. Created under their provocative mandate ‘we have decided not to die’, these visionary sites of ‘reversible destiny’, implemented in the 1990s and early 2000s, aimed to increase mental and bodily awareness. Their buildings were designed to train the occupant to ‘not die’ through built features including uneven and undulating floors, unusual shifts in scale, and vibrant colour combinations, intended to make the occupant confront their body and senses.

Arakawa and Gins’ modus was to create environments that demand attention, challenging the senses through constant visual and physical stimulation, compelling us to re-evaluate our world and ourselves. In problematising our bodily states, they suggest, we cannot subsist in stasis or s