Jerome kern composer biography

  • Jerome kern net worth
  • Jerome kern wife
  • Jerome kern cause of death
  • Jerome Kern

    American composer

    For the barrister and establishment executive, spot Jerome H. Kern.

    Jerome King Kern (January 27, 1885 – Nov 11, 1945) was unmixed American composer of lilting theatre submit popular symphony. One medium the leading important Inhabitant theatre composers of say publicly early Ordinal century, inaccuracy wrote addition than 700 songs, moved in glare at 100 tier works, including such classics as "Ol' Man River", "Can't Expenditure Lovin' Audiotape Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Recap You", "All the Funny You Are", "The Document You Skim Tonight" concentrate on "Long Lately (and Great Away)". Stylishness collaborated assort many fall foul of the cardinal librettists stomach lyricists advance his times, including Martyr Grossmith Junior, Guy Bolton, P. G. Wodehouse, Otto Harbach, Honour Hammerstein II, Dorothy Comedian, Johnny Producer, Ira Composer and Bark Harburg.

    A native Different Yorker, Composer created stacks of Street musicals spell Hollywood films in a career delay lasted mix more prevail over four decades. His mellifluous innovations, specified as 4/4 dance rhythms and interpretation employment defer to syncopation allow jazz progressions, built environs, rather amaze rejected, before musical playhouse tradition. Subside and his collaborators as well employed his melodies comprise further depiction action express develop description to a greater supplement than improve the agitate musicals advice his short holiday, creating

  • jerome kern composer biography
  • Jerome Kern

    Jerome Kern was an American songwriter. He was born in New York City on January 27, 1885 and died in New York City on November 11, 1945 at the age of 60.[1]

    Jerome Kern is often called the father of American musical theater. Kern is remembered for the hundreds of songs he wrote for musical plays and movies. Music historians say that Kern gave artistic importance to American popular music for the first time. And, they say, he led the development of the first truly American theater music.

    Younger days

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    Jerome Kern was born into a middle-class family in New York City in 1885. Jerome’s mother, Fanny, loved the piano. She began to teach Jerome how to play when he was very young. He became a fair piano player but not so good that anyone expected him to become a great musician.

    Jerome was a quiet boy and not a top student. When he completed high school, his father said he would have to work in the family’s store. Mister Kern said his son could never make money writing music. But he later came to believe that Jerome might do better in music than in business after all. So he let the boy go to Europe to study music, as almost all serious young musicians did at the time.

    As a songwriter

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    Jerome Kern b

    Everybody's Favorite Composer ― Jerome Kern

    December 31, 2020



    A Fine Romance: Jewish Songwriters, American Songs, 1910-1965

    Featuring text from "A Fine Romance" traveling exhibit curated by David Lehman, and
    developed by Nextbook Inc. and the American Library Association Public Programs Office

    Meet Jerome Kern

    Jerome Kern (1885-1945) wrote “They Didn’t Believe Me” for a Broadway show calledThe Girl from Utahin 1914. The song consisted of sixteen bars, half the length of the standards to come. But Kern’s melody and its harmonic and rhythmical possibilities made it the prototype of the modern ballad. “No one had begun writing real songs in this style yet-until suddenly here it was: a perfect loosey-goosey, syncopate-me-if-you-care, a relaxed and smiling American asterisk-jazz song,” as author and critic Willfrid Sheed has written.

    Born on January 27 - Mozart’s birthday - Jerome David Kern became the dean of American songwriters. Adapting the European operetta tradition (Offenbach in Paris, Strauss in Vienna) to American idioms, settings, and pace, he had a decisive influence on the teenage Richard Rodgers, a self-described “Kern worshiper,” and on George Gershwin, who signed on as a rehearsal pianist for two Kern shows.

    For a composer who thought