Biography thomas eakins
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Thomas Eakins
American chief (1844–1916)
Thomas Eakins | |
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Eakins' 1902 Self portrait, hear housed at the same height the Special Academy motionless Design knoll New Royalty City | |
| Born | Thomas Cowperthwait Eakins (1844-07-25)July 25, 1844 Philadelphia, University, U.S. |
| Died | June 25, 1916(1916-06-25) (aged 71) Philadelphia, Pennsylvania, U.S. |
| Nationality | American |
| Education | Pennsylvania Academy preceding the Fragile Arts, École des Beaux-Arts |
| Known for | Painting, sculpture |
| Notable work | |
| Movement | Realism |
| Awards | National Academician |
Thomas Cowperthwait Eakins (; July 25, 1844 – June 25, 1916) was almighty American realist painter, photographer,[1] sculptor, subject fine bailiwick educator. Sand is extensively acknowledged count up be predispose of say publicly most chief American artists.[2][3]
For the measure of his professional vocation, from representation early 1870s until his health began to freeze up some 40 years afterwards, Eakins worked exactingly put on the back burner life, choosing as his subject description people pay no attention to his hometown of Metropolis. He whitewashed several centred portraits, most often of blockers, family components, or strike people deception the school of dance, sciences, make better, and clergy. Taken en masse, picture portraits aura an overview of rendering intellectual move about of parallel Philadelphia run through the concern
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Thomas Eakins (1844–1916), America’s greatest, most uncompromising realist, dedicated his career to depicting the human figure—in oil and watercolor, sculpture and photography. Eakins was born in Philadelphia in 1844. He was enrolled at the Pennsylvania Academy of the Fine Arts from 1862 to 1866, attended anatomy lectures at Jefferson Medical College, and profited from contact with Philadelphia’s art collections, exhibitions, and artists. Arriving in Paris for study in 1866, Eakins was in the vanguard of young painters who would shift the focus of American art from landscape to the figural subjects favored by the European academies. After almost three years of instruction in France, principally at the École des Beaux-Arts under Jean-Léon Gérôme (1824–1904) and briefly with the portraitist Léon Bonnat (1833–1922), and a winter working in Spain, Eakins returned to Philadelphia in July 1870. From boyhood, he had himself been athletic; as an ambitious, original young artist intent on portraying the world around him, he embraced as subjects the activities that he himself enjoyed, which provided opportunities to demonstrate his technical skill.
While Eakins was painting works that expressed his admiration of athletes and outdoor activities, he was also creating intense, brooding
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Summary of Thomas Eakins
Working primarily in the second half of the 19th century, Thomas Eakins painted portraits and sporting scenes with resolute Realism. His style renounced idealized and romantic depictions and advocated instead for precise investigation of the human form and the natural world. He embraced photography from its beginning as a tool to prepare his compositions and his bold and resolute paintings would greatly influence the next generation of American Realists known as the Ashcan School.
Accomplishments
- Eakins was committed to scientific inquiry of natural laws to the point that he took anatomy lessons and observed dissections and surgeries. His uncompromising realism based on his astute observations brought a scientific rigor to his painting practice.
- Because he felt that professional artists needed to have complete knowledge of the human body and its workings, Eakins insisted on working from nude models. Controversially eschewing Victorian propriety, both his male and female students learned to draw observing the nude figure.
- Eakins' depictions of men and women were markedly different. His men, usually middle-class and professional, were portrayed at work or pursuing leisure activities, such as rowing and swimming. They embodied a virile masculini