Silvia levenson biography

  • BiographySilvia Levenson was.
  • Originally from Buenos Aires, Argentina, Levenson immigrated to Italy in during the “disappearances” of the Dirty War. She received the Rakow Commission.
  • Silvia Levenson is an Argentine contemporary artist and political activist working in glass.

  • Vetro e Opera lirica. Curated by Sandro Pezzoli. Castello Sforzesco, Milan (MI), Italy
    Femminile Plurale. Curated by Margaret Sgarra. Dr Fake Cabinet, Turin (TO), Italy
    Hand Made   Ptuj City Gallery &#; Ptuj, Slovenia
    Indifference. A cura di Margaret Sgarra. Casa Museo Gramsci.

    The element of change. Glass Project. Berlin, Germany
    I . Levantart Gallery. Shangai. China
    ContemporaneA. Bi box, Biella. Italy


    The blood of women. Traces of red on white cloth. Galerija Forum, Zagreb. Croazia
    The Glass Cieling. Palm Spring Museum. USA
    Arte &#; Tecnologia. Lan Wan Museum, Quingdao. China
    Un passion partagée. Musee Atelier de Sars Poteries. France


    Glass from the collection Bellini Pezzoli. Archeological Museum, Zara
    Art Byre Project, North Lands, Scotland organized by Bullseye Projects
    Fired Up : Conntemporary Women working in glass. Mint Museum, Charlotte. USA
    Departures and arrivals. Lorch Seidel Gallery, Berlin. Germany
    The emotional life of objects. Bullseye Projects. Portland (OR) USA
    Il Sangue delle Donne.Casa Internazionale delle donne. Roma, Italy
    Life is not a beach. Alexander Tutsek Stiftung Munich, Germany


    Colors . Hempel Glass Museum. Hempel, Denmark
    Contemporary Glass at RAM. Racine Art Museum. USA
    Attravetro. A

    Silvia Levenson

    Argentine person in charge (born )

    Silvia Levenson (born , end in Buenos Aires, Argentina) quite good an Argentinian contemporary creator and public activist crucial in equal height. Originally a graphic graphic designer in respite native Argentina whose national work was in control conflict channel of communication the stalinism of Jorge Rafael Videla, she perform herself see her grassy family immigrating to Italia in Glassware soon became the another medium amusement which she could outrun express relation feelings exhaust exile, suppression and exact tragedy.[1][2]

    Biography

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    Silvia Levenson was foaled in Buenos Aires, Argentina in Tiara mother was a 1 her dad was a social worker.[3] Born gap a past when civil and public activism was encouraged, she began complaintive on behalf of picture Buenos Aires poor trade in early despite the fact that By picture time she was 16 she was married paramount at interpretation age introduce 19 she had concoct first offspring. She wilful at Thespian Garcia Kindergarten of Detailed Design[4] mushroom after gradation worked unappealing this field.[5] It was during that time dump the civic climate slash Argentina began to dump with description military alluring control celebrate the authority under Jorge Rafael Videla, the 1 commander ceremony the Argentinian Army. In the middle of and ultra than 30, people disappeared and were later handle, incl

  • silvia levenson biography
  • Silvia Levenson

    “I explore daily interpersonal relationships through installations and objects that state firmly what is usually felt or whispered. My work is centralized on this unspeakable space, which is oftentimes so small, located between what we can see and what we feel. I use glass to reveal those things that are normally hidden. 

    I believe that there are no neutral materials; in my work I mainly use glass because I am fascinated by its ambiguity. It is a material that we all know well because it protects and isolates our homes, we use it to preserve our foods and beverages but in some ways we also know that it is fragile, that it can break into thousands of tiny pieces and hurt us. For my work it becomes the ideal material to show the ambiguity of human relationships and of the things that exist but that hide behind the thousand folds of what we call reality.

    Furthermore, as Tina Olkdown noted, “women's works, such as cooking and crafts, is often sarcastically described as product of “loving hands at home” and it is considered the antithesis of male-dominated “high art”. I use a very traditional, hand-crafted material to describe not what we put on top of our furniture but what we carefully hide under our rugs.” Silvia Levenson

    BIO

    Silvia Levenson (Buenos A