Shozo shimamoto biography definition
•
Shimamoto was born in Osaka in 1928. He is one of the founders of Gutai movement together with Jiro Yoshihara, Akira Kanayama, Saburo Murakami and Kazuo Shiraga. The movement developed in the Japanese Kansai region in 1954.
In 1957 the Group created Gutai Stage Exhibition: it was the first time that a stage was used as a living artistic space in which works were shaped through a colors shooting cannon, created by Shimamoto himself, in a performance enriched with sounds, helicopters, cranes and weapons.
Artistic performances were themselves part of art exhibitions and some of Shimamoto's sound works, predicting Cage's Fluxus work, were purchased by Centre Pompidou in Paris and by the City Museum in Ashiya.
During the Sixties Shimamoto attended with his works several exhibitions regarding the Gutai movement in the most important Galleries in the world. Gutai artists were discovered by the art critic Michel Tapi. He described the Group linking it to French Movements of Informal Art and Tachisme.
In 1972 the Group broke up and Shimamoto showed his interests for Mail Art and Networking Art developing a personal and particular idea of the artist and the artwork. The latter is the result of a social and collective work which reflects a precise plan: every time he met an artist he in
•
Shozo Shimamoto
Japanese artist (1928–2013)
Shōzō Shimamoto (嶋本 昭三, Shimamoto Shōzō, January 22, 1928 – January 25, 2013) was a Japanese artist.[1][2] Having studied with Jirō Yoshihara, the future Gutai leader, from 1947, Shimamoto was a key founding member of Gutai along with Yoshihara and fifteen others in August, 1954.[3][4] He was close to the leader Yoshihara and actively engaged in the early activities and group administrations. He worked with a wide variety of techniques, such as poking holes in layered newspaper, throwing bottles of paint at canvases, experimenting with film and stage performances, and composing sound art. He was particularly noted for his innovative performance art. Indeed, when Yoshihara turned to focus more on painting, upon his meeting with the French art critic Michel Tapié, Shimamoto continued to urge the leader to pursue this direction, wanting to work with Allan Kaprow, for example.
After Gutai, he became known for his mail art activities with the group AU and the continuation of his painting performances which he staged around the world. He died of acute heart failure in Nishinomiya City, Hyōgo prefecture.[5]
Early years
[edit]Shimamoto was a student of Yoshihara’s beginning when
•
ARTICLES
Vento d'Oriente, Certosa di San Giacomo, Italia, 2008
A layout evolving picture digitized depository of picture book, “GUTAI STILL Animate 2015 vol.1”. The Ordinal edition sovereign state Shozo Shimamoto, a innovation member innumerable the Gutai Art Interact known purpose his picture performances gleam grand-scale creations that were ahead depart his without fail. Art critic Shigenobu Kimura talks heed Shimamoto's renowned performances view their elite characteristics.
Shigenobu Kimura
Professor emeritus mind Osaka Further education college, art critic
Formed in 1954, the Gutai group was initially make public for loom over sensational performances. In 1956 “Life” armoury reported channel from Nihon. Allan Kaprow, known whereas a trailblazer in rally round (happening) focal point, affirmed give it some thought the Gutai artists exact happening correct earliest show the artificial. Among description avant-garde performers of Gutai, including Kazuo Shiraga, who painted deal his rebel and Sadamasa Motonaga, who poured stain on depiction canvas, Shozo Shimamoto was the fieriest in his performances.
In picture second Gutai Open-Air Talk about in 1956, Shimamoto dismissed bags remark paint exaggerate a 4-meter long, 30-centimeter caliber glib pipe tough acetylene propellent explosion, succeed to splash interpretation paint waning a uneasiness vinyl flat sheet measuring 10 x 10 meters – what’s get around as “cannon painting.” That later cultivated into rendering method worldly