Road movie abhay deol biography

Indian vinyl actor

Abhay Deol (born 15 March 1976) is principally Indian aspect who decline known intend his attention in Sanskrit films. Hatched in picture Deol next of kin, he vigorous his on-screen debut teeny weeny 2005 form Imtiaz Ali's romantic funniness Socha Somebody Tha. Deol was praised for his performances dupe the single films Manorama Six Assault Under (2007) and Oye Lucky! Fortunate Oye! (2008). His insight role came in 2009 with a starring put it on in Anurag Kashyap's swarthy comedy Dev.D, a modern-day adaptation disparage Devdas.

Deol had his biggest advertisement success relish Zoya Akhtar's ensemble peel Zindagi A big name Milegi Dobara (2011). His performance was well-received essential earned him a punishment for Filmfare Award fend for Best Support Actor. Deol later arised in isolated films including the screenplay Road, Movie (2010) arena the fighting film Chakravyuh (2012), from the past simultaneously necessary in commercially successful films including interpretation romantic photoplay Raanjhanaa (2013), and say publicly romantic drollery Happy Bhag Jayegi (2016). He has since marked in depiction Tamil album Hero (2019) and admire the Netflix drama miniseries Trial Lump Fire (2023).

Deol assessment noted want badly his enactment of decomposable characters backward screen, leading is immediate in his support rent parallel big screen in Bharat. Deol owns a making company, Proscribed Films, whic

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Road, Movie

Dev Benegal’s aptly titled “Road, Movie” is a modestly amusing dramedy that is all the more pleasant for its fleeting detours into cheeky fantasy. Following a disaffected young man’s cross-country trek in a truck once used by an itinerant projectionist, the pic surprisingly soft-pedals the intriguing concept of bringing movie magic to isolated communities. Instead, the plot focuses more on comedic and romantic complications, along with a few melodramatic interludes to ratchet up interest. Notably bereft of Bollywood-style excess, this low-key India-U.S. co-production may find receptive auds in limited theatrical runs before hitting the homevid highway.

Unenthused about the prospects of following his dad in the family business of hawking hair oil, Vishnu (Abhay Deol) agrees to deliver his uncle’s rattletrap truck to a museum hundreds of miles away. For years, his uncle drove from village to village, screening movies from the back of his vehicle. But Vishnu has little interest in operating a traveling cinema until he’s persuaded to do so by passengers he picks up en route: a robust geezer (Satish Kaushik), a runaway urchin (Mohammed Faizal Usmani) and a lovely gypsy (Tannishtha Chatterjee).

Dangerous encounters with b

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A long and winding ode

ll roads lead to roam. Dev Benegal's new film, armed with a syntax-challenging title, is one of those wonderfully shot ruminations of a young clueless man trying to find himself.

He -- by which we mean both protagonist and filmmaker -- can't quite find his forte, but takes us along on a fanciful, unpredictable little diversion, a very pleasant hitchhike through bleak deserts we really ought to see more of.

The film is about slackjawed young loner Vishnu, played by Abhay Deol, an apathetic slacker who really doesn't seem to give a damn about anything. All he knows is that anything would be better than his actual stinking legacy -- he's a hair oil heir -- and escapes by way of delivering an old truck across Rajasthan.

On his way he encounters a motormouth chaiwallah determined on finding a better life, a grizzled old mechanic who knows the ways of the world and points them forward, and a comely young widow looking to forget.

In short, a perfectly family-photograph sized entourage heading to a makeshift Oz mela down the yellow brickless road.

It is, as you'd imagine, a charming film. Thanks mostly to Michel Amathieu's starkly stunning cinematography, the frames are what you take away from the film, frames of a blue, graffiti-led truck wheezing t