On stuart davis biography

Summary of Stuart Davis

One of America's first modern artists and a forefather of Pop art, Stuart Davis began his artistic career with the Ashcan School before embracing European modernism following the Armory Show. The artist's abstract paintings, infused with jazz rhythm and bold, colorful abstractions of New York's urban landscape or household objects, offer a taste of European Cubism with an American twist. Whether painting in the style of realism or Post-cubist abstraction, Davis's determination to convey something of American political and consumer culture was unwavering.

Accomplishments

• Davis is credited with developing an American variation of European Cubism at a time when modernism was just beginning to infiltrate the country. Through slang words and imagery that were distinctly American, Davis's paintings established the country's presence in the burgeoning modern art world.
• The artist was one of the first to consider jazz and swing music in conjunction with painting. His use of bright, pulsating colors, expressive lines, and repetitious shapes creates a visual rhythm in his paintings similar to the syncopation and improvisation of jazz music.
• Davis introduced a new post-Cubist approach to abstraction by dispersing shapes, throughout the canvas and balancing

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  Stuart Davis (painter)

  American painter (1892–1964)

  Edward Stuart Davis (December 7, 1892 – June 24, 1964) was an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century. With the belief that his work could influence the sociopolitical environment of America, Davis' political message was apparent in all of his pieces from the most abstract to the clearest.^[1] Contrary to most modernist artists, Davis was aware of his political objectives and allegiances and did not waver in loyalty via artwork during the course of his career.^[2] By the 1930s, Davis was already a famous American painter, but that did not save him from feeling the negative effects of the Great Depression, which led to his being one of the first artists to apply for the Federal Art Project. Under the project, Davis created some seemingly Marxist works; however, he was too independent to fully support Marxist ideals and philosophies.^[2]

  Life and career

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  Davis was born Edward Stuart Davis on December 7, 1892, in Philadelphia to Edward Wyatt Davis, art editor of The Philadelphia Press, and Helen Stua

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Stuart Davis: In Full Swing


June 10–Sept 25, 2016

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