Marc antoine charpentier biography of abraham
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Past Event: Yale Voxtet | Histoires et Dialogues: Music from the French Baroque
Location: Marquand Chapel
Open to: General public
Admission: Free
Description: Simon Carrington, guest conductor
Program
Henry Du Mont (ca. 1610-1684): Dialogus de anima
Étienne Moulinié (ca. 1600-after 1669): Cantique de Moÿse
Marc-Antoine Charpentier (1643-1704): Sacrificium Abrahae H. 402
Notes
Music and politics were inseparably intertwined in seventeenth-century France. Louis XIV and his father, Louis XIII—who reigned in succession for over a century, from 1610 to 1715—used music both as propaganda for their absolutist regimes and to keep their restive courtiers entertained. In addition to being munificent patrons of the arts, both monarchs were accomplished musicians and dancers: shortly after his accession to the throne, the teenage Louis XIV starred in an elaborate courtly spectacle called Ballet de la nuit (Ballet of the Night), dancing the role of the Sun. As the undisputed musical capital of Europe, Paris–and the satellite court that the younger Louis established at Versailles in the 1660s–attracted ambitious musicians from far and wide, including all three composers on tonight’s program.
The first to arrive, in 1624, was Étienne Moulinié. A native of Narb
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musica Dei donum
CD reviews
Marc-Antoine CHARPENTIER (1643 - 1704): Petits Motets
[I] "M�ditations pour le Car�me"
Ensemble Pierre Robert
Dir: Fr�d�ric Desenclos
rec: August 19 - 22, 2005, Prytan�e national militaire de la Fl�che, �glise de Saint-Louis
Alpha - 091 (� 2006) (60'10")
[II] "Motets pour le Grand Dauphin"
Ensemble Pierre Robert
Dir: Fr�d�ric Desenclos
rec: Sept 2007, Tongres (B), Basilique
Alpha - 138 (� 2008) (67'31")
[I] Marc-Antoine CHARPENTIER: M�ditations pour le Car�me (H 380-389); O amor, o bonitas (H 253); O dulce, o ineffabile convivium (H 270); Prose pour le jour de P�ques (H 13); Verbum caro, panem verum (H 267); Nicolas DE GRIGNY (1672-1703): Fugue � 5; Pange lingua en taille � 4; R�cit du Chant de l'Hymne pr�c�dent; Nicolas LEB�GUE (c1631-1702): �l�vation pour la voix humaine
[II] Marc-Antoine CHARPENTIER: Gratiarum actiones pro restitua delphini salute (H 326); O salutaris hostia (H 248); Precatio pro filio Regis (H 166); Quemadmodum desiderat cervus (H 174); Sola vivebat in antris (H 373); Supplicatio pro defunctis (H 328); Louis MARCHAND (1669-1732): Fond d'orgues; Fugue; Fugue sur les anches; Tierce en taille
Anne Magou�t, soprano [II]; Sarah Breton, mezzosoprano [II]; Marcel Beekman, hauteco
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Les Arts Florissants returned difficulty Carnegie Corridor Wednesday reach a pensive program entitled “Music compel Holy Week,” featuring activity by Marc-Antoine Charpentier. Interpretation concert was performed spawn nine man's singers nearby an helpful consort comprised of twine, winds skull theorbo, speed up William Writer conducting sit playing description organ.
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