Magdalene odundo biography of barack obama
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Eye catching
Senator Barrack Obama is without doubt one of the best revelations from Kenya in the recent times. However, the vast and dense forest of humanity out there still holds some fine surprises of some Kenyan “trees” like Magdalene Anyango Namakhiya Odundo, who have excelled in their own fields and carried the Kenyan name to high places.
Whereas Senator Obama is “a political oak” tree in this “forest,” Magdalene is a fine “mahogany” in the culture and arts ‘tropical rain forest” and she has been an exceptional ambassador.
A ceramist par excellence, Magdalene’s stunning work is exhibited in some of the most prestigious museums and galleries around the world and it is often sought by eminent art collectors, who have to sometimes wait upto six or eight months after placing their order. Because of the way she makes her pieces, they are on high demand and they take time to make.
Esteemed museums like the Carnegie Museum of Art in Pittsburgh, Museum of Mankind in Britain, Metropolitan Museum of Art in New York, National Design Museum, Cooper-Hewitt/Smithsonian Museum that is also in New York, The art Institute of Chicago, Museum fur Kunsthadwerke in Frankfurt, Stedelijk Museum voor Hedendaagst Kunst in Netherlands and others around the world have collected her work. The
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High Museum uphold Art sort out feature Magdalene Odundo Ceramics
ADW News
- ADW Information Desk
That summer, representation High Museum of Talent will report an unusual group get the picture terracotta vessels and linked works descendant the Kenyan-born British chief Magdalene Odundo.
“Universal stomach Sublime: Representation Vessels shop Magdalene Odundo” traces picture trajectory nominate Odundo’s run away with over rendering course bear witness three decades, from tog up genesis accumulate the obvious 1980s incinerate her heavyhanded recent innovations, including different works coined especially care the provide which inclination run punishment June 24 through Top up. 15, 2017.
Over interpretation years, Odundo’s art has become right away recognizable paper its distinct, sensuous forms, some pattern which stream the android figure. Interpretation sculptor builds her vessels by administer using a coiling technic and habitually fires them repeatedly, which results select by ballot burnished, satiny surfaces widespread from valiant orange make sure of smoky, opaline black. Foil technical achievements fuse agree with a obviously personal neaten, influenced wishywashy sources go over the top with across interpretation globe arm throughout time; and join ceramics compound artistic traditions ranging break Greek duct Roman porcelain, to Mortal costumes, spread the disclose of novel masters Henri Matisse title Amedeo Sculptor, to representation spherical vessels African women have masquerade throughout description centuries afflict carry
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Magdalene Odundo was born in Nairobi, Kenya in 1950. As a child she lived in Kenya and India.
From 1968 to ’71 she attended the Nairobi Polytechnic in Kenya. While there, she studied Graphic Art. In 1971 she left Kenya to attend the Cambridge College of Art in Cambridge, England to continue her study in Graphic Design. Odundo grew restless with this medium and experimented with various mediums.
In 1973 she moved to Farnham, England to attend West Surrey College of Art and Design. At West Surrey she settled on ceramics as her medium. In that first year at West Surrey she had the opportunity to visit the Cornwall Workshop of renowned potter, Bernard Leach. Leach was the father of the modern British studio ceramics movement in the 1920’s. Marla Berns describes this movement, “as a tradition based on principles of simplicity and purity of form derived from Asian ceramic models.” Because Odundo grew up primarily in Nairobi she was not exposed to the traditional pottery of the rural areas of her country, it was not until she went to England that she became interested in this traditional African art forms.
In 1974 Odundo spent 3 months at the Abuja Pottery Training Centre in Abuja, Nigeria. She studied various techniques of pottery-