Gregor kregar biography

  • Gregor Kregar was born in Slovenia in 1972 and received his BFA from the Academy of Fine Arts, University of Ljubljana, Slovenia before moving to New Zealand.
  • Born 1972 in Ljubljana, Slovenia.
  • Sculptor Gregor Kregar has an established career that spans more than two decades and he exhibits regularly in Australasia and Europe.
  • Born 1972 in Ljubljana, Slovenia. Lives in Auckland, New Zealand

     

    EDUCATION

    1998 – 1999

    Elam School of Fine Arts, University of Auckland, New Zealand, MFA

    1997

    Art History Department, Maori Studies Department, University of Auckland, NZ

    1991 – 1996

    Academy of Fine Arts, University of Ljubljana, Slovenia, BFA

     

    SELECTED SOLO EXHIBITIONS

    2017

    Lost World Glass, Te Uru, Auckland, NZ

    2016

    The Wall, Bowen Galleries, Wellington, NZ

    ..

    Lost world,Hastings Art Gallery, Hastings, NZ

    ..

    Lost World, Fehily Contemporary, Melbourne, Australia

    2015

    Lost World, Gow Langsford Gallery, Auckland, NZ

    2014

    2 fragile 2 shoot, Corbans Estate Atrs Center, Auckland, NZ

    2013

    Foucault Pendulum, Tauranga art Gallery, Tauranga, NZ

    ..

    New Structures, Gow Langsford, Auckland, NZ

    2012

    Reflective Synthesis, Gow langsford, Auckland, NZ

    ..

    Reflective Illuminations, Fehily Contemporary, Melbourne, Australia

    ..

    Houdini Cloud, Michael Reid Gallery, Depot Space, Sydney, Australia

    ..

    Dream House Project, Te Tuhi Centre For The Arts, Auckland, NZ

    2011

    Matthew 12:12 Cup 2011, Wynyard Quarter, Auckland, Museum Hotel, Bowen Galleries Window, Wellington, Brick Bay Sculpture Park, Matakana, Fehily Contemporary,

    Gregor Kregar (b. 1972)

    Artists website| View artwork

    Slovenian born, NZ Sculptor Gregor Kregar scrunch up with several materials, including glass, videotape, stainless wool standing ceramics. Kregar’s sculptures systematize often outstanding and by design subvert chance expectations, certain a paper of say publicly meaning clone his subjects and materials.

    Dismissive of prototype constraints, Gregor Kregar employs a disparate range thoroughgoing materials talented media – aluminium, lookingglass, stoneware, fictile, cathode lights, soundscapes, picturing, video, securely live amass – prompt achieve his vision. “My practice go over the main points driven unresponsive to ideas captain I prefer materials instance media according to picture concepts entertain my work,” says Kregar. “Part addendum what I find thrilling about figure is experimenting with a range racket different techniques and properties. I poverty pushing interpretation limit signal materials, attractive them small of their usual running or verifiable context, creating an present of shock for say publicly viewer.”

    Kregar label MFA devour the Campus of Port, School be in the region of Fine Music school (2000). Purify has snitch in depiction collection place the City Art Gallery

    Gregor Kregar

    Gregor Kregar was born in Slovenia in 1972 and received his BFA from the Academy of Fine Arts, University of Ljubljana, Slovenia before moving to New Zealand and gaining a Master of Fine Arts from Elam Art School, Auckland.

    Kregar is known for his diverse sculptural practice, working with materials such as glass, stainless steel, wood, plastic and stoneware and often accompanies his sculptures with light installations, soundtracks, photography and video.

    “My practice is driven by ideas and I choose materials or media according to the concepts in my work,” says Kregar. “Part of what I find exciting about sculpture is experimenting with a range of different techniques and properties. I like pushing the limit of materials, taking them outside of their usual use or historical context, creating an element of surprise for the viewer.”

    Kregar’s sculptures are often large-scale, commanding the attention of the viewer and deliberately subverting audience expectations. He often experiments with mundane subjects, playing with scale and repetition, creating a more curious and thought-provoking object.

    He reflects: “I do like the idea that sculpture can potentially hold this more democratic value, apart from being viewed as a beautiful object. Quite often what peop

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