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Israeli Art Music

by

Ronit Seter

• LAST REVIEWED: 28 August 2019
• LAST MODIFIED: 28 August 2019
• DOI: 10.1093/obo/9780199757824-0264

Introduction

Writings about music in Israel illuminate a wide range of topics, often exploring the politics of social identities: nationalism, folklorism, Orientalism, ethnicity, multiculturalism, East-West cultural borrowings and appropriations, representation, religion, and gender. Complementing the Oxford Bibliographies articles on “Jewish Music” and “Jews and Music” (by Edwin Seroussi and Judah Cohen, respectively, both of which focus mostly on ethnomusicological research into ethnic, liturgical, and popular musics in the Diaspora), this bibliography focuses primarily on Western art music by Israeli composers, yet it also examines selected writings on ethnic and popular musics that inform it. Most of the approximately forty notable immigrant composers who fled fascist Europe to British Palestine during the 1930s and 1940s—the founders of Israeli art music—aspired both to create local music and to continue their original styles from their native countries, mostly Germany, Russia, and Poland, or those they studied in France and elsewhere. As participants in the evolving Hebraic and Zionist culture, they believed that they should par

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Music

This article is arranged according to the following outline:

INTRODUCTION
written sources of direct and circumstantial evidence
the material relics and iconography
notated sources
oral tradition
archives and important collections of jewish music collections
HISTORY
biblical period
second temple period
the emergence of synagogue song
the roots of synagogue song in the near eastern communities (c. 70–950 c.e.)
The Formation of the Basic Pattern (c. 70–500 C.E.)
psalmody
bible reading by chant
the early style of prayer chant
the popular background
ideas about music
Evolution of the Basic Pattern and Creation of New Forms (c. 500–950)
the "learned art" of bible chant
the liturgical hymn (piyyut)
the Ḥazzan and the synagogal solo style
music of the medieval diaspora (c. 950–1500)
Integration in the Realm of Secular Music
the science of music
the challenge of new forms of arts
music at the social and popular levels
the formation of concepts of jewish music (12th–14th centuries)
The Rabbinic Attitude to Music
Philosophy and Secular Education
Mystical Ideas and Forms
the consolidation of regional styles
Musical Minhag
Modal Scales in Synagogue Song
Performance and Practice of Synagogue Song
migration and blending of music styles (c. 1500–1750/1800)
The Mystical Movement of Saf